![]() ![]() Many arc-based series in past decades, such as V, were often short-lived and found it difficult to attract new viewers they also rarely appear in traditional syndication. Examples are the UK's Doctor Who and most anime series. Story arcs on television and radio, and are common in many countries where multi-episode story lines are the norm. Several have published their use of the story arc to create memorable tomes in record time. Many renowned novelists and writers claim to use a story arc to create characters, stories, even curriculum. Christopher Vogler's The Writer's Journey: Mythic Structure for Writers details the same theory specifically for western storytelling. For example, a poor woman goes on adventures and in the end makes a fortune for herself, or a lonely man falls in love and marries.Īnother form of storytelling that offers a change or transformation of character is that of the "hero's journey," as laid out in Joseph Campbell's theory of the monomyth in his work, The Hero with a Thousand Faces. One common form in which this reversal is found is a character going from a situation of weakness to one of strength. This change or transformation often takes the form of either a tragic fall from grace or a reversal of that pattern. The purpose of a story arc is to move a character or a situation from one state to another, in other words, to effect change. Thus, story lines repeat over time in a loop. Short story arcs are easier to package as trade paperbacks for resale, and more accessible to the casual reader than the never-ending continuity that once characterized US comics.Ī corollary to the absence of continuity, however, is that, as exemplified in 1950s DC Superman comics, no permanent change to characters or situations occurs, meaning no growth can take place. Many American comic book series are now written in four- or six-issue arcs, within a continuing series. Although story arcs have existed for decades, the term "story arc" was coined in 1988 in relation to the television series Wiseguy, and was quickly adapted for other uses. Webcomics are more likely to use story arcs than newspaper comics, as most web comics have readable archives online that a newcomer to the strip can read in order to understand what is going on. In a traditional Hollywood film, the story arc usually follows a three-act structure. In television, the use of the story arc is common in sitcoms, and even more so in soap operas. On a television program, for example, the story would unfold over many episodes. It can also mean an extended or continuing storyline in episodic storytelling media such as television, comic books, comic strips, board games, video games, and films with each episode following a dramatic arc. JSTOR ( June 2019) ( Learn how and when to remove this template message)Ī story arc (also narrative arc) is the chronological construction of plot in a novel or story.Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. Nevertheless, Marvel Studios will continue to surprise people with their abundance of characters and hopefully give those like the planet eater a chance to excite and entertain audiences.This article needs additional citations for verification. Thor: Love and Thunder was something of a divisive film with audiences, so to have the likes of Galactus appear for a quick shot would not have done the film any favors. It is not known when or how these characters will get their chance to leave their mark in the MCU, but knowing Marvel Studios, there is most likely a plan to introduce at least one of them, possibly in the next five to seven years. The Shuma-Gorath deletion also makes sense, but Fin Fang Foom could have stayed if Thor: Love and Thunder had chosen to include such montage. Galactus is a major cosmic threat and to reveal that he was easily defeated in a short throwaway moment would have been disappointing. While it's disappointing to see these scenes didn't make the film, it also makes sense in the grand scheme of the MCU. The film establishes that Jane has built up a reputation as a new superhero while Thor is away and the storyboard art expands on this by showing some of her major accomplishments. ![]() Based on Winn's artwork, it looks as if the intent was to showcase all Jane's heroic acts as The Mighty Thor. ![]()
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